Lucy Roleff

In an industry charged up by quick-to-fade sartorial trends and high style turnover, Kuwaii sits peacefully in the eye of storm, building their brand over the last decade around the concept of slow fashion in a response to excessive consumption and mass production. Celebrating 10 years in business, and the launch of their ongoing “classics” range, Anderson’s film moves in a slow, contemplative pace, reflecting Kuwaii’s approach; a focus on craftsmanship, care and classicism. The choreography of Alice Lee Holland is elegant and considered, in the same way a Kuwaii garment is thoughtfully designed and produced. Gentle, sweeping movements capture the essence of a Kuwaii piece, as well as the wearer; from the uniqueness of each item, to its comfort and simplicity. Our film celebrates skill, grace and individuality – ideas embodied in each Kuwaii garment and every person who wears it. • Dancers - Pia Lauritz (VCA) and Breanna Skewes (WAAPA) • Choreographer - Alice Lee Holland (Chunky Move and Transit Dance) • Director & Stylist - Paige Anderson (VCA) • Cinematography - Edward Goldner (Recent work: Kllo, Courtney Barnett, Guy Pearce, Kimbra) • Editor - Katerina Borys (The Butchery) • Location - The Establishment Studios (Melbourne) • Music - AT/ALL (Melbourne) • Clothing & Footwear – Kuwaii (Melbourne)

For more information or to purchase tickets please visit: http://atqp.ac/1iSczZv An opulent tale of love vs money. Manon is a rare thing - at once a ravishing feast for the senses, and the utterly compelling story of a young girl who forsakes true love for wealth.

In this dark and enigmatic piece, the wraith Giselle drifts through her woodland realm ... Starring Principal Artist Amber Scott https://www.australianballet.com.au/giselle Produced by The Apiary Original music by Magic Hands

The ballet body is a working body. In the first instalment of our Ballet Anatomy series, we take a look at how our dancers use their muscles as the foundation of flexibility, strength, agility and control.

"You put a tutu on ... you feel like a ballerina." Three of our dancers show off this beautiful tool of their trade -- and talk about how tutus mould to your form, make you feel like you're flying, and just occasionally draw blood from your partner!

Finding the perfect pointe shoe is like finding the perfect glass slipper. Ahead of Alexei Ratmansky's Cinderella in Melbourne this June, Principal Artist Ako Kondo takes us through the journey every dancer takes to find the perfect pair of pointe shoes.